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February 1, 2012 by admin
Filed under Competitions, Featured, News
FINALISTS ANNOUNCED IN SURFING LIFE’S OAKLEY BIG WAVE AWARDS
Biggest Slab Finalist Ryan Hipwood. Pic. Shannon-Stent
Australia’s most prestigious huge-surf challenge is once again up for grabs, along with $35,000 in prizemoney, as the finalists have been announced in Surfing Life’s Oakley Big Wave Awards.
Huge, crazy rides have been thrown into the mix from renowned big-wave chargers like current Biggest Wave champ Mark Mathews, former Awardee Marti Paradisis, and Queensland legends Jamie Mitchell and Ryan Hipwood. But these well-known watermen are facing stiff opposition from underground hell-men like Chris Shanahan, Ben Rufus, perennial West Australian Damien Warr, and a man who goes solely by the name of Camel!
Jamie Mitchell, 10 time conqueror of the Oahu-Molokai paddleboard race and one of the world’s top mega-surf hunters, secured his monster Paddle-In entry at the infamous Cow Bombie, usually only tackled with jetski assistance, ‘Usually the left-hander out there is the only paddleable wave, but that day I through caution to the wind and paddled into one of the rights and after that it all just came together. My big wave, the one that has made the finals, felt exponentially bigger than my other waves that day. It was such a perfect day, everyone was going for it!’
This year’s finalists have been decided through a world-first surfer poll in which every surfer who’s ever registered for an Award entry was asked to vote for the top few rides in each of the three divisions: Biggest Wave, Biggest Slab, and Biggest Paddle-in Ride.
“We felt the surfers themselves were the best judges of each other’s performances,” explained event co-ordinator Nick Carroll. “They know these wild surf zones better than anyone else and they have a clear view of the challenge involved. We were stoked with the way they responded! They’ve come up with an epic group of finalists, that’s for sure.”
Biggest Wave, Biggest Slab, and Biggest Paddle-In rides are now in the hands of the finalist judges – an elite international panel of big wave maestros – and they’ll be stretched to pick the winners out of an unprecedented range of entries.
A number of impressive sessions in a year of consistent swell has seen a colossal total of 80 entries, far above and beyond any of the year’s previous, which have now been whittled down to 13 entries between 12 surfers across the 3 categories.
The Awards, now in their 10th year, have come to highlight a side of surfing that’s way beyond both the recreational mainstream and the professional competitive arena – a zone where seemingly normal people take seemingly outlandish risks, with seemingly little concern for fame or renown.
Surfing Life’s Oakley Big Wave Awards will be presented at a super, spectacular, celebrity-studded evening at Simmer on the Bay, Dawes Point, Sydney on February 8th, 2012.
All finalists can be viewed at www.bigwaveawards.com.au.
Tyler Hollmer Cross. Pic. Andrew Chisholm
Remembering Sarah Burke
Sarah Burke would light up a room when she walked into it. Actually more than that, she lit up an entire sport, and was bound to light up the world in the forthcoming Olympics, before she succumbed to spine injuries sustained while training in Park City on January 10. She passed away yesterday. The world lost an amazing skier and a superstar human being.
I had the amazing opportunity to know and work with Sarah over the course of a decade. During that time I, along with so many others, had the insanely good fortune to watch her change the face of women’s skiing and simultaneously watch her inspire all those around her. The image gallery above is the tip of an iceberg of images I was able to capture of/with Sarah. This tribute isn’t her best work, or mine. It isn’t meant to be. It’s rather a humble historical look back – in some cases looking back more than 10 years – at her first Freeskier skiing cover, her first Smith Goggle ad, her practicing runs at the X-Games, and that amazing smile. Working with her was pure joy. And she will be missed dearly. RIP.
My manager, Christopher Jerard, knew her even better than I did, as he was the publisher of Freeskier and Snowboard Magazine for many years before coming to work at CJinc. Jerard and I got the news of her passing while we were together yesterday. He wrote these words below about Sarah that I think we can all live by. The theme is ‘step up’. Step up to the challenges in your life. Step up for your friends, step up because it’s human to do so….
For my friend Sarah Burke – January 19, 2012
“Step up.”
I met Sarah when she was 16 years old shortly after I joined the staff of the brand new Freeskier magazine. She was already the “it” girl in freeskiing. Actually, in 1999 she was really the only girl in freeskiing. She was incredibly talented and fearless. And there was always that ever-present smile. She was shy early on -but before you knew it she was giving the editors at our magazine shots in the arm, still with that same great smile, and challenging us to get the shot, ski another run, or just have more fun. Her passion for skiing was evidenced by her athletic success – and her passion for life came through like the sun. She was a light for all of us. Just one of those people that is universally loved. For all of those who knew her only through the movies and photos – she was exactly as she seemed. Simply one of the best people you’ll ever meet. Pure love.
It’s impossible to deny, that by the time she was 20, she went from being a cute kid, to being simply drop-dead gorgeous. Suddenly she graduated from profiles in the ski industry standards Freeskier and Powder to being in Maxim, People and one FHM’s sexiest athletes alive. But she played it all off as no big deal with a humbleness rarely found at her level of success – an elegance and grace that was unique to her. And yet, even with all the beauty and the elegance, she was one of the toughest people Ive ever met. She once put me in a head lock. And I am not ashamed to admit I could not break out of it. And I tried. Hard. I think that memory would make her smile.
She could play with the boys. That is for sure. She had to for a lot of years in order to open up the sport for the women behind her. Her will and determination on and off the hill in this regard are legendary. Sarah was an innovator and a leader for women in skiing. Even as Sarah was an inspiration to so many people – but she was especially important for women athletes. She did more for the progression of woman’s freeskiing than any other single person – period. She was a founder of the Association of Freeskiing Professionals and was instrumental in helping to push the disciplines of skiing she loved, halfpipe and slopestyle skiing, into the Olympics for 2014. That will be a lasting part of her legacy forever.
She pushed her sport, her profession, to the next level. And even as she had to fight for women to be considered in competition with the men, when she took her hits, she always smiled through the bruise and the bang. Both on and off the hill. In 14 years of working with Sarah – I never saw her without a smile and a good word. Not once. Ever. No matter what. That smile on the podium, holding the X Games Gold four times? That was the same smile she would give 2 months later if you ran into her on the street in passing. So radiantly genuine.
Sarah will always be around us.Trennon Paynter, her coach and good friend to both Sarah and her husband Rory, sent a message out on twitter yesterday: “She’s in every snowflake, every ray of sunshine, every breeze. More than ever, now and always, #IBelieveInSarah.” She will always be there to remind us to “step up” and be better. No matter if it’s out skiing, at work, at the gym or remembering to smile and give your friend a hug. Do not hold back. Life is simply to precious and too much of a gift. Step up. Its such a powerful idea.
It was a dear friend of mine, Matt Harvey, the longtime Editor of Freeskier magazine, who reminded me of this playful challenge to step up that Sarah so often conveyed to her fans and those around her – with such obvious joy.
The news of Sarah’s passing hit in the middle of the work day and Matt was onstage hosting a Freeskier magazine sponsored event. He was a very close and personal friend of Sarah’s. To be in public and hurting, gutted with loss, was painful. But he remembered her words, “Step up.” She would tell him this, no matter if she was standing next to him on the hill taunting him to try a jump or rail slide or pushing him to go talk to the girl across the bar later that night – she was always nudging those around her to be better. And she led by example. So when it hurt and he wanted to hide – he smiled and remembered Sarah. He dug deep and stepped up. That’s what Sarah did when organizers told her that girls didn’t have a spot in competition and that’s what she did when she was battered from falls and that’s what she did when there was a line of little girls who wanted an autograph…hours after the last competition run of the day.
Sarah always stepped up. Always.
And that’s what we’re going to do to remember her. Step Up. Thanks Sarah. We will. And we’ll remember you’re smile when we do.
Lowepro Expands its Fastpack Series
Lowepro launches a flexible, purpose-built backpack designed to help multimedia photographers protect and carry a wide range of camera, video and laptop equipment as they capture rich content.
Lowepro, the leading brand of protective gear for photography equipment and portable electronic devices, expands its top-selling and award-winning Fastpack line with the release of the DSLR Video Fastpack AW series. This flexible, dual-compartment backpack is expressly designed for fast-moving multimedia photographers who rely on a diverse set-up of equipment to help them capture and deliver rich content.
“Lowepro chose one of their most popular designs as the inspiration for the new DSLR Video Fastpack AW series. It’s built to meet the needs of today’s multimedia photographers who shoot stills and video, plus capture sound for their clients,” said Teresa Walsh, Lowepro Product Manager in New Zealand.
The series consists of three models that fit a wide-ranging capacity of pro-sized gear, plus a laptop and accessories. Each delivers an identical and full set of premium features and provides flexible ways to customize equipment.
The lower compartment of each pack protects a pro-sized DSLR or HD video-enabled DSLR within padded and adjustable compartments. A fast-access, side-entry pocket allows the photographers to quickly get to his or her gear by rotating the pack to the front and unzipping the camera compartment.
Pro shooters and enthusiasts who carry sound accessories will appreciate the upper compartment with its storage space for headphones, a microphone, transmitter/receiver set and other audio gear. This compartment comes outfitted with Lowepro’s removable Custom Audio Utility Pouch to aid in the neat and organized management of smaller audio accessories and cables
A separate and padded laptop compartment keeps the multimedia photographer’s workstation within easy reach—ideal for uploading stills, video or when posting a new blog entry and keeping in touch with colleagues and clients while on a shoot or traveling to one.
Additional pro-focused features include: a Hideaway Tripod Mount™ to help secure a tripod or DSLR video rig to the side via a foldout holder and strap; hidden ID pocket for quick access to ID or business cards; patented, built-in All Weather AW Cover™ to help protect gear from the elements; stretch-mesh side pocket; grab handle; stow-away waistbelt; and durable, water-resistant outer materials.
The series is available in three sizes in black: DSLR Video Fastpack 350 AW, DSLR Video Fastpack 250 AW and DSLR Video Fastpack 150 AW. For more information on this series and other products, please contact Macalisters or visit www.lowepro.com
About Lowepro ?Since 1967, Lowepro camera bags have been traveling the world, earning the loyalty and admiration of the best photographers, and setting the industry standard for inventive, purpose-built products. Our collections include professional-grade designs for cameras, laptops, imaging accessories and portable consumer electronics. It is our passion and privilege to provide accessible, comfortable and protective designs for our customers. Lowepro products are available around the globe, for every climate, for every condition. Wherever you go, chances are you’ll find us there. ?To learn more about our inventive spirit, please visit www.lowepro.com.
Design Highlights
• Protective, lightweight and highly configurable backpack, designed for the multimedia photographer.
• Fast-access, side-entry pocket for camera compartment allows wearer to quickly grab gear ?by rotating pack to the front ?and unzipping.
• Upper compartment outfitted ?for audio gear with space for headphones, microphone and other accessories.
• Dedicated, padded laptop compartment keeps a workstation within easy reach.
• Hideaway Tripod Mount™ at side secures a tripod or DSLR video rig to pack.
• Patented, built-in All Weather AW Cover™ protects camera gear from the elements.
(up to 70-200mm f/2.8); 2 lenses; pro flash or LED light; headphones; microphone; audio transmitter/receiver set; voice recorder; sound mixer; up to a 17? laptop; tripod or DSLR ?video rig.
?DSLR VIdeo fastpack 250 AW??interior camera compartment:
10.2W x 5.5D x 9.6H in.
26 x 14 x 24.5 cm
FITS:
Pro DSLR (without grip) with attached lens (up to 24-70mm f/2.8); 2 lenses; pro flash or LED light; headphones; microphone; audio transmitter/receiver set; voice recorder; sound mixer; up to a 15? laptop; tripod or DSLR video rig.
?DSLR VIdeo fastpack 150 AW??interior camera compartment:
8.1W x 4.9D x 9.1H in.
20.5 x 12.5 x 23 cm
FITS:
Pro DSLR (without grip) with attached lens (up to 17-55mm f/2.8; 1 lens; 1 flash or LED light; headphones; microphone; audio transmitter/receiver set; voice recorder; sound mixer; up to a 13? laptop; tripod or DSLR ?video rig.
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The Nikon 1 is the intelligent camera you’ve been waiting for.
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RIP CURL STRIKES WORLD-FIRST CAMERA ANGLE ACTION
SURFING COMPANY RIP CURL STRIKES WORLD-FIRST CAMERA ANGLE ACTION WITH MULTI-CAMERA TIME SLICE ARRAY
Rip Curl has again created a technological world-first by capturing full-tilt surfing action using a “30 camera Array” – a line of cameras firing consistently as surfers ride towards and past it. The results are unique “frozen moments of time” – that can be viewed in a combination of angles for a true in the round perspective.
Three years ago Rip Curl took a similar concept to the Sun Way Lagoon Wavepool in Malaysia using Canon SLR cameras, linking 50 individual shots to freeze a single moving moment. Effective, but a hell of a lot of work (and risk) for the slim chance at one particular point in time.
This year Rip Curl and TimeSlice, our partners in the overall development, used GoPro HD video cameras to freeze an infinite number of moments that could be viewed. The major benefit being a better way of catching all the performance surfing the Rip Curl team riders were doing, rather than just a fraction of it.
The freeze frame concept all started with a desire to showcase the Mirage Series of Ultimate Boardshorts. Mirage are the most technically advanced boardshort on the planet, so to do them justice we needed the right leadership and technology from our photographic equipment.
“We dreamed of the impossible image, one that let’s us slice time and view a moment from the front and the back of the wave, to see both where the surfer had come from and where he was going,” said Creative Director James Taylor – the man leading the crew on the shoot.
“To reveal to the audience what happens, but what they don’t usually see. That was the trick. To do that we had to go more than the whole nine yards. We had to go the whole mile, at every level, but I knew we had the surfers who would go there with us. That made it easier.”
Combining our world class surf team of Mick Fanning, Owen Wright, Matt Wilkinson, Dillon Perillo and Dean Brady with the multi-frame array of cameras, gave us a Matrix style suite of “Mirage Moments”, which pull the viewer in to the image, stalling there for long enough to enjoy a great move, before travelling down the line through the footage to the next Mirage Moment. The viewing metaphor for surfing in itself.
It was twice ASP world champion, Fanning, who used his knowledge of the world’s best breaks helped to pick the ideal location. One which would help us to overcome the greater challenge of taking the concept into the open ocean, where tide time and swell direction all conspire to make the job more difficult. When asked where he would go to try something so ambitious Fanning replied simply…
“Namotu Island in Fiji. The waves, the light, the location. It’s built for it. Scott and Mandy who own the place will look after us.”
Of course, we took Mick’s advice and the dice were rolled.
Along the way things developed rapidly. A 10 camera hand held water rig was pieced together in the makeshift workshop, a 30 camera rig which attached to a jet ski buzzed the lineup with the surfers following down the line, and a bigger 30 camera hand-held rig were all developed on the fly to great effect.
But each success was matched with a new failure. A 10 foot wave can make mince meat of 30 camera array rig and on more than one occasion there were GoPro HDs scattered all over the lineup as the photographers got bashed by rogue waves in pursuit of both surfers and the angle.
“The result is amazing,” said Taylor. “I can see what I dreamed.”
And so can you… go to www.ripcul.com/mirage3 and enjoy a Mirage Moment.
You can view the Mirage Moments on the below links:
Rip Curl Mirage Site :: http://www.ripcurl.com.au/mirage
Rip Curl Mirage Feature Clip
Rip Curl Mirage Behind the Scenes Clip
Rip Curl Mirage Mick Fanning Clip
Rip Curl Mirage Owen Wright Clip
Rip Curl Mirage Matt Wilko Clip
Rip Curl Mirage Dean Brady Clip
Rip Curl Mirage Dillion Perillo Clip


















